...Paris--For Theme Thursday:
Some scribbles in one of my journals after a day of flipping through books on graffiti at Barnes and Noble.
Drawing--Quote No.1:
"If you're creating artwork, it's always about the drawing. Always." --Hippie drawing Prof. at ASU in the '70s whose name I can't remember, but it doesn't matter because he was quoting someone else whose name he couldn't remember...
What he was trying to get across to us was that even if you're making a sculpture out of two sticks and a piece of string and you've never touched pencil to paper, everything created is always drawn in your mind before it's created, even if so instantly that you don't recognize it. There is no art without visualization. Ever. And drawing is about seeing, not motor skills.
Drawing--Quote No.2:
"A successful drawing is one that appears on paper exactly as your mind's eye pictured it" --Same Prof., again quoting someone else...
Q. But what if it turns out better than I pictured it?
A. Then what you have is a less successful drawing that accidently looks better than your mind's eye knows how to picture. Solution: Practice drawing AND seeing.
Working In Books (as opposed to "workbooks"...):
At the moment there are five books I am working in. The Paris page was done in a little hand bound book that I carry with me in my purse, always. This book is filled with stuff: drawings, scribbles, notes, lists, collages, glued abstracts, paint, pens, inks, crayon, pencils, watercolor, markers...ad infinitum. I work on both sides of the page in this book. It's bound with a variety of papers so that when I want to work in acrylic, I can. When I'm just using pencil, there's a page for it. When I want a colored background for gel pens, there are lots of those, too. And watercolor paper, etc.
The other four serve different purposes; all I've bound by hand. One of the collage journals is filled with acrylic backgrounds on one side of the page only. Why? I'm not sure, but there's something in the back of my mind brewing for the other sides of these pages. Probably a description. Anyway, I can use a box cutter and remove pages from this book when there's one I want to make a print of, and I don't have to worry about what's on the other side.
Another one is specifically for work I'm doing in A Life Made By Hand.
Another one is a chronology. I do a page every day, or every few days, in chronological order. I don't skip around in this book and I date the pages. Later on, this one will give me an idea of what I was up to in 2010.
Oooops, I said five. Not true. There are seven. The other three are unfinished working journals. I use these to try out new ideas and new techniques.
I also do lots of things outside of books.
Less and More in 2004 2010:
I liked 2004 better because it rhymed. Oh well. Here are some things I'd like to spend my time doing more of, and others that I'd like to do less of. This is as close to New Years resolutions that I'll ever come:
More:
Drawing
Glueing
Writing
Painting
Abstract compositions
White space
Playing
Getting serious
Laughter
Time with family and friends
Reading
Music
Focus
Organic
Less:
Non-productive time online
Rushing around
Time spent suffering fools
No:
Additives
Preservatives
Hormones
GMAs
I can already see that this will be a prosperous year, as the "mores" far outweigh the "lesses" and the "nos".
Here's what I'm up to at the moment...
Reading Thomas Mann's Magic Mountain, Thomas Foster's How To Read Literature Like A Professor, and Thomas Pynchon's The Crying Of Lot 49 (all of them Tom's? ...very curious, indeed!)
Listening to Soft Machine's Six, and National Health's Tenemous Roads
Drinking tea (some things never change)
Watching HBO videos of The Flight Of The Conchords
Getting ready to celebrate Russian Christmas (old calender) tonight with friends of the family
Guest hosting for Mixed Media Monday next week, so stop by and submit some artwork!
Have a great New Year, Everyone! One great day at a time!